review

  Lelavision presents Physical Music


Pioneered by Lelavision, Physical Music is the complete integration of music and movement: the choreography, instead of being performed to a musical score, as is traditionally the case, arises entirely from the performers playing the instruments , which are designed specifically to evoke such movement. Centered around the "ingenious musical sculptures of Ela Lamblin" (the Seattle PI) and Leah Mann's choreography that "...turns ordinary movement into mystical flight" (the Atlanta Journal), Lelavision in any of its shows is a delightful display of physical agility and musical prowess bouyed with an intrinsic sense of humor . "The effect of this concentration on listening is that of seeing sound as shape," said the Seattle Times. Performances consist of several shorter works, similar to movements in a musical composition, centered around themes of invention, discovery and play.

The Longwave: A horizontal harp played not by plucking but by stroking the 35ft rosined strings. The performers play the nearly invisible strings from behind the wave shaped instrument. As they gesture and dance they brush the strings with their hands and their bodies, producing polyrhythmic and sequenced patterns of music and of movement, canons and polyphonic harmonies arising from the dance, as though the musical notes were inherent in the body.

Performers: 2-6; time: 20 min.


Pandemonium: Dawn finds the boat, the Pandemonium, afloat on the high seas, its crew of shaman clowns rocking gently with the waves. Gradually the crew wakes up and begins charting the stars, surfing the waves, and dancing the Sailor Dance. A black storm teases them; then chaos breaks out as the storm tosses the crew into the sea and capsizes the boat. The clowns cling wild-eyed to its sides while the storm abates and pandemonium subsides.
The 10' long X 12' high, aluminum, boat-like, rocking sculpture of this show has a balloon reed pump organ that serves as the boat’s "motor."The show is rich in images of myths and epic journeys (inward and outward) and the Pandemonium itself is propelled along on waves of droning chords, exotic melodies, and peppy sailor songs.

Performers: 2-3; Time: 20 min.

  • View video of Pandemonium


  • Rumitone: The Rumitone, a tubular bell sit-and-spin sculpture that explores the aural and visual possibilities of a whirling universe. Mann and Lamblin fold in and around each other with gestures and dynamic shapes centered on the lotus-shaped instrument, all the while invoking the poetic roots that inspired this meditative yet dazzling instrument.

    Performers: 2; time: 10 min.
  • View video of Rumitone


  • Bungee Drums: With a tremendous crack, a trio of sprites falls from the sky and defies earth’s gravity to bounce and boing in space. Like super-heroes the performers fly through the air, smashing out a thunderous score on a multitude of drums and cymbals hanging planet- like in the heavens. With its electrifying display of Spiderman leaps and bionic flips, Bungee Drumming keeps audiences on the edge of their seats, watching, enthralled, as performers, hanging from bungee cords, play the suspended percussion forms - and coax rain from clouds.

    Performers: 3;Time:10 min.
  • View video of Bungy Drumming


  • Flight of the Stamenphone: The Stamenphone, a 16 stringed, 6ft, pendulum-shaped instrument suspended from the ceiling and played with a bow, hums and wails its empyrean melodies from its water-filled resonating chamber while two performers (Lamblin and Mann), suspended as well, let go, float, and "fly" as they leap beyond the limits of our earthbound nature in a performance of erie beauty.

    Performers: 2; time: 8 mins.
  • View video of the Stamenphone


  • Orbacles: Fabricated, steel, ball-instruments that serve as containers for an intricate weaving of rhythms, phrases, and textures of sound ranging from gong-like bass tones to sighing resonances and calypso-like notes . The performers animate these musical spheres from the inside, causing them to roll and scurry about like huge bugs that meet and converse in a language of creaking, thumping, and pinging. Then, in a metamorphosis, people emerge magically from the Orbacles and begin moving, rolling, clanging, and pounding out a musical score.

    Performers: 2; time: 15 min.
  • View pictures of Orbacles




  • The Orbitone: A 15-foot, free-standing acrobatic swing. Performers dance with and on this bowed-bell sculpture, playing this musical instrument with their acrobatics, imbuing the Orbitone with a lithe and whimsical chase-like play that has them climbing, swinging, flipping, and orbiting around the Orbitone, climaxing in a full 360-degree circle, with the performers flipping again and again, creating, with the swing, a wheel of acrobatic musical delight.

    Performers: 2-4; time: 20 min.
  • View picture of Orbitone


  • Singing Stones: The Singing Stones are 100 river rocks suspended by music wire from a wing shaped sound box. The strings are sounded according to the performers' movements by stroking with rosined gloves. Lamblin and Mann gathered stones from the ocean, resonant slate from the Cascades, and rocks from the Applegate River to create this breathtakingly beautiful combination of sculptural stone, delicate movement, and symphonic sound.

    Performers: 2; time: 10 min.
  • View pictures of Singing Stones

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